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Peter Ablinger:
for orchestra, 30'
2018 (1980-2018)

version for 28 performers: 2cl,2ss,2as,ts,bs,trp,euphon,2e-perf,3perc,acc,pno,3e-guit,vl,3va,3vc,2cb

Notes & bloc-notes, first sketches: a) continuum of details, b) layers of talk and background-noises, c) montage of the 39 notated fragments

originally written for the ONCEIM orchestre, Paris, the piece was conceived for an experimental orchestra with a mixture of improvisers and score-readers.

ONCEIM orchestre, Paris (©

preliminary note from the score:

theoretically the montage of the score is a version or a suggestion or a starting point. theoretically everything could be re-arranged, shortened, extended, while the general idea - density, horizontal and vertical collage - remains similar.

practically one would probably work with this version but is always free for changes in instrumentation.

Notebook entries of some of the fragments

see: score details (pdf)

(english un-edited)

for score and material, as well as for further informations, contact the publisher:

Dr. Siegwald Ganglmair, Ruprechtsplatz 4-5/10, A - 1010 Wien,
T: ++43 / 699 / 103 183 74, AB/F: ++43 / 1 / 535 12 66

see also:

Instruments & - the series

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this page was created by Aljoscha Hofmann. last edited 19.01.2017 CET