Peter Ablinger:
Renate Fuczik
für Klavier und 1 Lautsprecher (2006-2026)
ein 24 Stunden- (Endlos-) Stück
in jeder beliebigen Länge aufführbar
bisherige Gesamtdauer: 324' (11:00-13:24 and 18:00-21:00)
The piece is based on the voice recording of the former Austrian phone time, which was reached since the 70's under the phone number 1503. Every 10 seconds, a woman's voice, for example at 18:19:20, repeated:
"With the Summer-tone it will be 18 o'-clock, 19 minutes and 20 seconds [tut]."
Spokeswoman was an employee of the Austrian Post, Renate Fuczik.
In the future all 24 hours should be available for the composition "Renate Fuczik". A performance may have any duration (10 seconds, 3 minutes, 1 hour, etc.), but in any case must match the real time exactly - which in this case is the "Viennese time" (= Central European Time, CET). The piece is part of the cycle "Voices and Piano", but can also be presented independently or in other constellations (see eg. The OPERARIA cycle "Die durschscheinende Zeit / Translucent Time)." (english un-edited)
Sowohl "Renate Fuczik" als auch "TIM Song" werden über einen MAX-Patch gesteuert, um die Synchronisation mit der Weltzeit aufrecht zu erhalten. (MAX-Patch: Marcel Zaes)
Both "Renate Fuczik" and "TIM Song" are synchronized with the world time via a MAX patch. (MAX-Patch: Marcel Zaes)
for print versions and performance materials contact the publisher:
ZEITVERTRIEB WIEN BERLIN
Bryan Eubanks, Gotzkowskystr. 15, D-10555 Berlin,
T: +49 / 176 / 47 39 29 97, zeitvertrieb@proton.me