back to: worklist

Peter Ablinger:
Weiss/Weisslich 25


Mund, Augen, Ohren zu

mouth, eyes, ears shut

the piece exists only in its title, and is just what its title says: mouth, eyes, ears shut

see also:

reference pieces
pieces which exist only in its title; one can execute or visit, do or think them

Weiss/Weisslich 25b

Weiss/Weisslich 25c

Weiss/Weisslich 32
acoustic interruption

Weiss/Weisslich 19
move hands behind ears/remove

"Rahmung" / "framing"

Drei Aspekte des Absoluten
Three Aspects of the Absolute

for a group of performers


back to: worklist

impressum \ this page was created by Aljoscha Hofmann \  last edited 31.07.2002 CET